KSM9
Condenser Vocal Microphone
Cardioid condenser vocal microphone offers a dual diaphragm and switchable polar patterns to deliver precise vocal reproduction. It features a dual Mylar diaphragm design, a shock mount, gold-plated connectors, and an aluminum carrying case.
Product Details
The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance.
Engineered to exacting standards, the KSM9 reveals nuance and subtlety in a microphone optimized for the most demanding live environments. With its dual diaphragm design and switchable polar patterns (supercardioid/cardioid), the KSM9 is the choice for the world's most accomplished vocal performances.
KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, while decreasing proximity effect. As the premier choice in handheld wireless microphone options for Axient®, UHF-R®, and ULX-D®, KSM9 microphones are built to exacting Shure endurance standards, renowned worldwide and proven night after night, center stage.
- Exceptional consistency across all frequencies, providing more gain before feedback, while decreasing proximity effect
- Dual gold layered, low-mass Mylar® diaphragm design
- Switchable polar patterns (supercardioid and cardioid)
- Advanced suspension shock mount
- Premium electronic components including Class A transformerless preamplifier circuitry
- Gold-plated internal and external connectors, including XLR Output Durable aluminum housing
- Available as wireless handheld transmitter SKUs
- Zippered carrying case
- 1 - AK9C Zipped Carrying Case for KSM9
- 1 - A25E Stand Adapter
- 1 - 95A2050 5/8" to 3/8" Thread Adapter
- 1 - AK9C Zipped Carrying Case for KSM9
- 1 - A25E Stand Adapter
- 1 - 95A2050 5/8" to 3/8" Thread Adapter
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Further Reading
Case Studies
MyMama Tour 2021; conquered by the reliability and consistency of SLX-D ©Diletta Radaelli
Arturo Magnanensi, Audio Engineer at the the MyMama tour: "The tour was characterized by the strong need of the band to finally be able to express the great energy and creativity stored during the period of the lock-down; combining it and putting it, however, at the service of a necessary flexibility and adaptability to the many different types of concerts that the tour schedule envisaged. Also due to the restrictive regulations related to the pandemic, the show had to be able to be done at different times, in different lighting conditions, in relatively small or even very large stages, without ever affecting its nature or its technical and artistic performance for the public. So I would say that the technical flexibility was fundamental in order to guarantee a coherence of the show in all the various venues in which we found ourselves having to create the show."